assignment代写:有关体系结构的回顾评论

assignment代写:有关体系结构的回顾评论

对体系结构的回顾可以帮助人们在背景上下文中理解体系结构的元素,这可能会增加体系结构的重要性。当评审由专家作家(如架构师本人)进行时,评审的重要性就会增加得更多。随着作者可信度的提高,观众对讨论的主题更有信心。这篇分析论文将考虑建筑师James Stirling在《Ronchamp: Le Corbusier’s Chapel and the crisis of Rationalism》中的评论工作。分析重点放在对Stirling的回顾上,并考虑了作者对Stirling所撰写的主要源文档的回顾风格。此外,分析利用了作者萨拉·梅宁和弗洛拉·塞缪尔的作品以及《自然与空间:阿尔托和勒·柯布西耶》一书。在回顾和分析中,确定了表征、形式、历史、意识形态、气场、纪律和涌现等要素。

艺术、宗教和哲学是黑格尔金字塔的三个角落。在这个体系结构中,这三个方面都到位了。这个地方的音响效果与大教堂的空间相似,宗教建筑的效果也体现在这里。虽然作为一个现代主义建筑,功能主义的元素也被很好地捕捉到,为访问这个地方的宗教人士服务。

斯特灵指出,马赛人和朗尚人都为这座建筑感到骄傲,当地居民对这座建筑非常认可。当地居民认为建筑是对诗歌的想象。它是现代的,但同时也捕捉了当地的情感。当地游客更能接受这种建筑。缺乏公共知识分子的参与实际上被认为会导致更好的接受。因此,这里更支持群众的思想。评论家说,它不是一个具体的固体结构,并被视为在其开口的建设方式中断了很多。在使用空间的方式中,我们注意到了纪律的一个元素,但这些中断也为涌现的元素铺平了道路。在新的世界中,更容易偏离更合适和更完美的表达方式,而架构显示了这一点。较新的技术,如当地和民间建筑的表达是使用在这里。事实上,在这里可以看到土著元素。甚至连毗连的房屋,如牧师的房屋,也被认为在性质上更具有装饰性。这再次显示了思想和建筑哲学的变化,与过去欧洲建筑的适当元素。

从评论分析中可以推断,欧洲建筑对技术的态度更加犹豫。然而,在教堂的例子中,可以看到一些技术的应用。扶手是工业产品。因此,建筑是新旧结合的产物。建筑师说,柯布西耶实际上是从一般到特殊的过程中产生了一件杰作,从形式、结构和历史元素的分析来看,这似乎确实是这样。

assignment代写:有关体系结构的回顾评论

Reviews of architectures help people understand the elements of architecture in a background context that might add more to the significance of the architecture. When the review is conducted by an expert writer such as an architect himself then the significance of the review increases more. With the credibility of the writer, the audience gets more persuaded on the subject of discussion. This analysis paper will consider the review work of architect James Stirling in ‘Ronchamp: Le Corbusier’s Chapel and the Crises of Rationalism’. The analysis focuses on the review of Stirling, and considers authors style of reviewing from primary source documents that Stirling has authored. In addition, the analysis makes use of the work of author Sarah Menin and Flora Samuel and this book “Nature and Space: Aalto and Le Corbusier” in this work. The elements of Representation, Form, History, Ideology, Aura, Discipline, and Emergence are identified in the review and discussed in the analysis.
Art, religion and philosophy are three corners in the Hegels pyramid. In the case of this architecture, all three come into place. The acoustics of the place are seen to be similar to that of a cathedral space and the religious building effect is present here. Although being a modernist architecture the element of functionalism is also well captured in serving well for the people of religion who visit this place.
The building is more than accepted by the local population as Stirling notes people from Marseilles and Ronchamp are both proud of the architecture. The local population considers the architecture as an envisioning of poetry. It is modern but at the same time captures the local emotions also. Local visitors accept the architecture better. A lack of public intellectual participation actually is seen to lead to a better acceptance. The ideology of the masses is hence supported more here. The reviewer states that it is not a concrete solid structure and is seen to be much interrupted in the way its openings are constructed. An element of discipline is noted in the way spaces are used, yet the interruptions paves way for the elements of emergence also. In the new world it becomes much easier to deviate from more proper and perfect expressions and the architecture shows that. Newer techniques such as that of local and folk architectural expressions are made use of in here. In fact, indigenous elements are seen to be present here. Even the adjoining houses such as that of the priests are seen to be more decoratively applied in nature. This again shows the change in ideology and philosophy of architecture compared to what used to be the proper elements in European architecture.
It is inferred from the review analysis that European architecture is seen to take a more hesitant attitude towards technology. However, in the case of the Chapel it is seen that there is some application of technology. The handrails are industrial products. The architecture hence is a mix of old and the new. The architect states that the Le Corbusier has in fact proceeded from general to the particular producing a masterpiece and it can be said from the analysis of the elements of form, structure and history that this indeed seems to be the case.

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