毕业论文代写-Reality TV on the phone。Since the initial days on reality programs, the critics consistently have attacked this genre by stating that the genre has elements such as being voyeuristic, cheap and sensational for TV. In a report by UK for Quality Television Campaign, 2003, it was evident that reality TV was individualized as a category with stuff of vulgar in it to encourage impoverishment morally and intellectually within contemporary lives (Nabi et al 2003). According to Thompson from Syracuse University, reality shows on TVs have led towards dangerously shadowing the boundaries present between fiction and fact and as a consequence reality shows have had a negative influence on the modernized society. As commented by a critic, with regard to this perspective, reality shows on TV have a faster, cheaper and addictive experience for audience elucidating a mass distraction weapon, which causes the society to get dumb, fat and more disoriented with their selves and the society. The drug addiction and war based mixed metaphors have often depicted the genre of reality as often framed with regard to the influence of media along with culture, social and morality based beliefs (Reiss et al 2004). Such reality TV based criticisms does not advocate taking into consideration of various formats in the genre of reality TV. The reality program development in different environments of broadcast is also essential to understand the entire genre on the whole. The most significant element lies in the reality genre of TV shows is the point of view technique that enhances individual perspectives and plays an important role when understanding the foundation of reality in a TV show.
A main Reality TV show selling point lies in what advertised use to refer as the process of USP (unique selling proposition) from the perspective of an individual’s point of view(Kato et al 1999). The excitement generated from this suggests that reality now has become an essential marked conception even though considering the reason why it is as such lies external to this paper. From this, it can be said no matter how its point of view is interpreted or perceived, clearly is inclusive of the identity of brand in the genre and that this popularity of the genre in the virtual, digital and stimulated era is not a probable coincidence (Morita 2003). The reality TV “reality”, usually is translated as the point of view from experience of real individuals in an environment which is actual and not-scripted. It does not need that the circumstance is common but there is a requirement for a specific type of access to viewer in which the point of view comes across at a personal basis.
Reality TV from this perspective is illustrated as an example of Peep which is easily recognizable (Bruzzi 2006). Peep is something completely mainstream such as weather, food and golf and can support the infotainment for 24 hour streaming dedicatedly in an easy manner. The most common Peep culture incarnation is evident in Reality TV, such as the TV series on Peep Shows.
毕业论文代写-Reality TV on the phone。自从真人秀节目开播以来，评论家们就一直在抨击这类节目，他们说这类节目有偷窥、廉价和耸人听闻等元素。在英国高质量电视运动(2003)的一份报告中，很明显，真人秀节目作为一个带有低俗内容的类别，在当代生活中鼓励道德和智力贫困(Nabi et al . 2003)。锡拉丘兹大学的汤普森认为，电视真人秀节目给现实和虚构之间的界限蒙上了危险的阴影，因此真人秀节目对现代社会产生了负面影响。正如一位评论家所评论的那样，从这个角度来看，电视真人秀节目为观众提供了一种更快、更便宜、更令人上瘾的体验，它阐明了一种大规模的分散注意力的武器，这使得社会变得愚蠢、肥胖，对自己和社会更加迷茫。毒品成瘾和基于战争的混合隐喻经常描述现实的类型，通常与媒体的影响以及文化、社会和基于道德的信仰(Reiss et al . 2004)有关。这种基于真人秀的批评并不提倡考虑真人秀类型的各种形式。真人秀节目在不同的播出环境下的发展，也是了解整个节目类型的一个重要方面。其中最重要的因素在于电视节目的真实性，它是一种增强个体视角的视角技术，在理解电视节目真实性的基础上起着重要的作用。
电视真人秀节目的一个主要卖点在于广告中所宣传的从个人角度出发的USP (unique selling proposition)过程(Kato et al . 1999)。由此产生的兴奋表明，现实现在已经成为一个重要的显著的概念，即使考虑到为什么它是这样的原因是外部的这篇论文。由此可见，无论其观点如何被解读或感知，都明显包含了该流派中品牌的身份，而该流派在虚拟、数字化和受刺激时代的流行并不是一个可能的巧合(盛田2003)。电视真人秀“真实”，通常翻译为在真实的、非脚本化的环境中，从真实个体的经验出发的观点。它不需要环境是普遍的，但有一个特定类型的访问观众的要求，其中的观点遇到个人的基础。
从这个角度看，真人秀电视是一个很容易识别的窥视的例子(Bruzzi 2006)。窥视是完全主流的东西，如天气，食物和高尔夫球，可以支持信息娱乐24小时专门以一种简单的方式。最常见的西洋镜文化体现在真人秀节目中，如西洋镜节目中的电视剧。
