Part-1: Discussion of Loos’s “Ornament and crime”:
Rather he should with care and consideration for the familiar, while also involving old objects and furniture, unless the customer personally requests something that is new. “For your home you’ve always right” was somewhat pointedly the corresponding theme in his writings. This lot is in its facilities rather than from a certain kind modernity, but rather a critical continuation of certain traditions.
In his designs, the influences of Classicism are evident, and certain models of English and American architecture from the land of construction (eg Norman Shaw) are seen too. This play in particular involves the fireplace and the grouping around comfortable seating which was considered to be artistically important. Characteristic of the architecture of Loos, in accordance with his above-mentioned requirements, is the use of noble materials. To find the right stone for his wall paneling, he sometimes traveled through Europe. Most of his finest furnishings and wood tables and chairs had sometimes been inspired by museum models by the company Friedrich Otto Schmidt. He used these models in tried and tested forms .
部分1：洛斯“饰品与犯罪”的讨论：
相反，他应该熟悉的关心和体贴，同时也涉及旧物品和家具，除非客户亲自要求是新的东西。 “你的家，你永远是对的”是有点尖锐在他的著作中相应的主题。这很多是在其设施，而不是某一种现代的，而是一个重要的延续，某些传统。
在他的设计中，古典主义的影响是显而易见的，而某些型号的建设用地，英国和美国的体系结构（如诺曼·肖）见过太多。这种打法，尤其涉及舒适的座位，被认为是艺术重要的壁炉和周围的分组。洛斯的体系结构的特征，在根据他上述要求，是高贵的材料的使用。他的墙板要找到合适的石头，有时候他走遍欧洲。有时他最好的家具和木质桌椅博物馆模型的启发，由公司弗里德里希·奥托·施密特。他用这些模型在久经考验的形式。
