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课程代写:有关王家卫电影形式的讨论分析

他的性格反映了他害怕被人拒绝。他们害怕在这个世界上有一种归属感,就像这个国家在其他更大的世界强国的阴影下失去自己的本质一样,没有安全感。同样的情况也出现在他的美丽的作品《东邪西毒》中,主人公,一个代理人,在害怕被拒绝的恐惧下,重新成为一个自私无情的人。这些角色表现出渴望与他人分享情感,但对深层情感的恐惧使他们改变了生活中的行为方式。由于他们需要一个能创造美好关系机会的伴侣,所以他们的道路才会穿越。王家卫以一种反复无常的浮夸来描绘这些情感,并借助高亢的诗歌、曲调、美学视觉和令人陶醉的故事。

在他的电影中,香港的不安全和动荡一直是社会环境的主要背景,人们担心中国有可能对这个国家发动攻击。香港曾经是英国的殖民地,但由于离中国很近,人们总是担心中国可能会获得这个国家,从而把决定留给人民自己,不管他们是想搬还是想留。在电影《花样年华》和《乱世佳人》中,导演将60年代的跌宕起伏纳入政局动荡之中;人们可以清楚地看到这些影响。

王家卫的作品《楚尔王快运》获得了国际上的广泛认可,在国内和国际上都取得了不俗的成绩。他的电影《幸福在一起》获得了最佳导演奖,这部电影讲述了一对恋人的故事。他还推出了另一部电影《In the mood of love》,这部电影讲述了一对不幸福的夫妻之间迷人而深刻的故事(Dissanayake, 2003)。他在电影制作过程中遇到了很多困难,因为中国发生了变化,而中国只有30部外国电影上映政策,所以很难让一部电影在中国上映。2006年,他成为第一位担任戛纳电影节评审团主席的中国导演。

他的艺术作品具有独特的视觉和风格。他的作品展现了他的个性,以及他个人的创作视角。就好像他是故事的作者,也是导演一样。角色扮演的角色是他创造的。他们只是按照导演的路线工作,导演为他们的角色和电影带来了生命和灵魂。他用电影的形式向世界展示他的思想、想法和感受,这是一门美丽的电影艺术。

课程代写:有关王家卫电影形式的讨论分析

His characters reflect the fear of being rejected by people. They fear a sense of belonging in the world, in the manner the country has been insecure to lose its own essence in the shadow of other bigger world powers. The same has been depicted in his beautiful art of work Ashes of Time, where the protagonist, an agent recourses as a selfish and heartless person under the fear of being rejected. The characters show a longing to share a soulful connection with someone, but the fear of deep emotions makes them change their course of actions in life. Their paths traverse due to their need of a partner creating a chance of a beautiful relation. These emotions are depicted by Karwai Wong in a capricious pomposity, with the help of resounding poems, tunes, aesthetic visuals and a indulging tale.
In his cinemas, the insecurity and unrest in Hong Kong has been the centre of the main background of the social environment, where people feared the chance of an attack on the country by China. Hong Kong was a British colony but due to its close proximity to China, there was always a fear that China could acquire the country, thereby leaving the decision in the hands of the people whether they want to move or stay. In the movies In the Mood for Love and Days’ of Being Wild, the director has included the drop back of 60’s amongst the unrest of the political situation; one can see the influences clearly.
Karwai Wong got great international recognition with his work, Chulgking Express which was offbeat hit both nationally and internationally. He received Best Director Award for his cinema, Happy Together, a story about two lovers. He presented another movie, In the mood of love, which was an engaging and deep story of two unhappy married couple (Dissanayake. 2003). He has faced many difficulties in the course of his film making due to the changes that occurred in the country and how it’s so difficult to get a movie released in China as the country has only 30 foreign movie releases policy. In 2006, he was the first Chinese director to preside at the Cannes film festival as a jury.
His work of art has a unique sense of vision and style. His work shows his personality, and his own personal creative perspective. It’s as if he is the author of the story and also the director. The characters play a part which is created by him. They are merely working on the line of the director who brings the life and soul to their characters and the film. He uses the film to show the world his thoughts, ideas, feelings in the form of this beautiful art of cinema.