留学生代写：非洲遗迹和文物代表方式
首先,非洲散居侨民的实践和描绘了一个非常狭窄的方式链接到两件事。博物馆代表非洲遗迹和文物以某种方式,因为这两个东西。首先,考虑殖民主义和奴隶制的much-argued点及其影响展览。这产生了一个主导意识形态表示。其次,新帝国主义的兴起是加强意识形态。类型学的人类种族基于这些显性和隐性意识形态被创建,然后博物馆很难隔离支撑种族主义,会发现其表征。
留学生代写：非洲遗迹和文物代表方式
”问题是关于非洲奴役制度废除后的表现当代的解放。在其他层面上,它几乎成了家常便饭,寻求但发现很少或没有正面形象的非洲散居在这些博物馆。为什么有这样的包装多年来非洲散居侨民的查看、显示和欧洲白人的娱乐吗?收集并提出非洲散居侨民文化文物和其他材料吗?什么标准收集和生产中应用这些演讲吗?和哪种博物馆都倾向于现在的非洲移民在他们生产?”
留学生代写：非洲遗迹和文物代表方式
Firstly, the practice and portrays of the African diaspora in a very narrow manner are linked to two things. Museums represent African relics and artefacts in a certain way because of these two things. Firstly, consider the much-argued points of colonialism and slavery and their impact on exhibitions. This gives rise to a dominant ideology in representation. Secondly, the rise of the new imperialism serves to reinforce the ideologies. Where typologies of human races based on these dominance and recessive ideologies are created, then museums have a difficult time segregating the underpinning racism that will find its way into representations.
留学生代写：非洲遗迹和文物代表方式
“Question arises regarding the representation of African after the abolition of chattel slavery to this present age of emancipation. On the other level, it has become almost commonplace to seek but find little or no positive images of the African Diaspora in these museums. Why has there been such a packaging over the years of the African Diaspora for viewing, displaying and the entertainment of white Europeans? Who gathers and presents African Diaspora cultural artefacts and other material? What criteria are applied during the collection and production of these presentations? And which kinds of museums are inclined to present the African Diaspora in their production?”
