论文代写
During the 20th century, it is obvious that different artists were stepping out of the boundaries that were set to them by the art world itself. Artists were desperately trying to find ways to change the way in which the world experienced art, the piece of the puzzle that contained the real meaning of art and aesthetics needed to be found. Artists such as Ana Mendieta, Mariele Lederman Ukele, and Allan Kaprow, are a perfect example of the type of artist that challenged western art. Their work pushed the boundaries of aspects such as the art object, the artistic subject, and the spectator of art. The artistic subject and spectator were placed inside the art object and became part of the art object itself, giving western art an expanded field. The violation of conventional groups of artistic creation and the breakdown of boundaries introduced by the renaissance, led artists to the development of ephemeral works of art. Ephemeral art has the characteristic of decaying, getting destroyed and lasting short periods of time. (Santi, Raphael, 1990) However, such characteristic raises questions about the durability and ownership of the art object, since it is not possible for the object to reside inside a gallery, and it can only be treasured on images. The example set to the art community by artists of the 20th century, opens the door to endless possibilities of expression, combine the material form of art objects with the importance of time and space, and at the same time address and challenge conventions of artistic production.
论文代写
在第二十世纪，它是明显的，不同的艺术家们走出，将他们的艺术世界本身的界限。艺术家们拼命地试图找到改变的世界中，经验丰富的艺术方式，包含着需要找到真正的艺术和美学意义的拼图块。艺术家如门迭塔，mariele莱德曼ukele，和艾伦Kaprow，是一个艺术家，挑战西方艺术类型的完美的例子。他们的工作将如艺术品方面的界限，艺术的主题，和艺术的观众。艺术的主题和观众被放置在艺术对象内，成为艺术对象本身的一部分，让西方艺术的拓展。艺术创作中传统的群体，在文艺复兴时期引入边界的故障导致违反，艺术家的艺术作品的发展。短暂的艺术具有衰减特性，得到破坏，持续时间短。（森，拉斐尔，1990）然而，这样的特点提出了耐久性和艺术对象的所有权问题，因为居住在一个画廊的对象，这是不可能的，它只能是珍贵的图片。在第二十世纪的艺术家集艺术社区的例子，打开门表达无限的可能性，结合时间和空间的重要性艺术品的物质形式，并在同一时间，地址和挑战艺术的生产习俗。
