论文代写招聘:独唱唱歌剧历史发展

论文代写招聘:独唱唱歌剧历史发展

在16世纪的最后70年,“中间或中间”是一种“带有音乐的戏剧表演”,由马德里加尔、弗罗托拉、维拉内拉和他们的亲属独唱。由于资金的增加,演出变得更加壮观。这些表演开始象征着一些事件,比如军事胜利,婚姻和其他形式的庆祝,就像前面提到的,所有这些表演都是交替进行的。

论文代写招聘:独唱唱歌剧历史发展

后来在独唱唱歌剧也有“一个intermedi”和悠扬进行典型和往常一样multi-voiced纹理的舞者和音乐家。同样的奢华的性质增加了,现在甚至透视法在后来的几年里也出现了。Intermedi并不总是告诉一个故事,有时候是,有时候不是,但总是关注人类情感和体验带给观众在形式的歌剧,试图通过“神话寓言”表达相同的。

论文代写招聘:独唱唱歌剧历史发展

The ‘intermedio or intermezzo’ which were ‘theatrical spectacles with music’ and were presented and funded in the last 70 years of the 16th century, featured ‘solo madrigal, frottola, villanella and their kin’. Since the funding increased the show become more spectacular. These performances commenced to signify events like military victories, and marriages and other forms of celebrations, and like mentioned it all was alternated in the performance of these acts displayed.

论文代写招聘:独唱唱歌剧历史发展

Later in the opera the solo singing also had ‘an intermedi’ and madrigals were performed in there typical and usual ‘multi-voiced texture’ with dancers and instrumentalists. The lavish nature of the same increased and now even scenography was seen in the later years. Intermedi did not always tell a story, sometimes it did and sometimes not, but always focused on human emotions or experiences which was brought to the audience in form of the opera, trying to express the same through ‘mythological allegory’.

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