美国毕业论文代写关系艺术

美国毕业论文代写

As the avant-garde epoch advanced, many artists persisted with experimentation of new ways of expression in which they continued to challenge different aspects of western art. The artistic subject was introduced as the artist himself from the beginning of art history. However, different artists during the 20th century questioned the role and responsibilities played by the artistic subject, these artists began to challenge the relationship between the artistic subject and the art object. Such challenge was introduced by many artists and mainly challenged by feminist art, showing innovative ways of depicting the subject on the actual work, other than being the creator of the piece, which changed the normal use and understanding of such. Mariele Lederman Ukele’s “Manifesto for Maintenance”, is a perfect example of such movement, Ukele was inspired by her own experience of maintaining her household, and offered 17 different performances that took place in public spaces. These performances consisted of activities such as, scrubbing the streets, cooking and inviting people to eat. (Cranach L et al, 2005)  By performing in public in such way, Ukele incorporates the artistic subject (herself) into the actual object (artwork), which changes the way in which the art community understands the concept, making the artist part of the artwork and completely changing the original relationship between the viewing subject and the art object. Furthermore, the fact that Ukele also presents this piece for a short period of time proves that such movement and work of art are ephemeral, a concept that started to become popular within the art community throughout this time. As mentioned above, such concept gave the artwork the ability to dematerialize, leaving behind nothing but a sense of uniqueness and aesthetical beauty, which could only be appreciated during the time it was being exposed, but expanded options and limitations being confronted by the art community since the beginning of time. (Neil O et al, 2006)

美国毕业论文代写

作为先锋时代晚期,许多艺术家坚持尝试新的表达方式,他们继续挑战西方艺术的不同方面。艺术的主题介绍了作为艺术家自己从艺术史的开端。然而,在第二十世纪不同的艺术家质疑的作用和责任的艺术的主题了,这些艺术家开始挑战关系艺术的主题和艺术对象之间。这种挑战是由许多艺术家介绍和女性主义艺术的主要挑战,描绘的主题对实际工作方式的创新,而不是作品的创作者,改变和理解这样的正常使用。维护”mariele莱德曼ukele的宣言》,是一个完美的例子,这样的运动,ukele的灵感来自她自己保持她的家庭的经验,并提供17种不同的表现发生在公共场所。这些性能包括活动等,清洗街道,烹饪和邀请的人吃。(克拉纳赫L等人,2005)通过这样的公共场合表演,ukele结合艺术的主题(自己)为对象的实际(的作品),从而改变在艺术界理解概念的方式,使作品的艺术家的一部分,彻底改变了原来的主题和艺术的关系观察对象之间。此外,还介绍了这一块,ukele很短的一段时间,事实证明,这样的运动和艺术作品都是短暂的,这一概念开始成为流行的艺术界,在这段时间内。正如上面提到的,这个概念给艺术品消失的能力,只留下一个独特感和美感,只能欣赏在它被暴露的时间,但扩张期权和限制,面对艺术界开始以来的时间。(尼尔等人,2006)

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