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美国古典文学论文代写:歌剧的发明和背景

组成卡默拉塔的人认为歌剧中的合唱是最初被演唱的,甚至可能包括所有角色的全部文本。因此,这给歌剧带来了复兴的特点。这里的歌词部分歌剧是Ottavio Rinuccini,他也写了美第奇intermedi 1587年,曾参与雅格布仙女。由于是几百年前,达夫尼的音乐已经失传,但由于剧本部分的写作,它幸存下来,并仍然存在,告诉更多关于歌剧的发明和起源。但是,由佩里于1600年创作的歌剧《欧里狄斯》是第一部完整地保存了这么多年,甚至延续到今天的歌剧。

美国古典文学论文代写:歌剧的发明和背景

独唱是独唱,最初是歌剧的精髓。它力求传达情感的负担,从文本中获得灵魂,在背景中演奏简单的和弦,而不是复调部分。16世纪的意大利作曲家选择了这种风格,这种风格随着”与一名歌手的复调madrigals “和”器乐演奏”的实践而发展,另外,随着同音声乐流派frottola和villanella的日益流行。后一种音乐体裁在本质上呈现出主音织体的倾向,在上部呈现出精致的旋律,而在下部,通常是三部分组成,结构不太活跃。这是,在成为一个成熟的独白的道路上。所有的作品和演讲都试图追随或复制彼特拉克和他的特伦托追随者,呈现出更多的人文主义诗歌,这是一种进一步恢复原本存在的社会原则的尝试。

美国古典文学论文代写:歌剧的发明和背景

The people who formed the Camerata were of the opinion that the chorus in the opera was something which was originally sung, and could possibly even include the whole text of all the roles that it included. Therefore, this landed up giving opera a characteristic of revival. Here the libretto part of the opera was by Ottavio Rinuccini, who also wrote Medici intermedi in 1587, which had involved Jacopo Peri too. Since it was centuries ago the music for Dafne is lost, but since the libretto part was written it survived and still exists, to tell more about the invention and origin of opera. But Euridice, an opera by Peri in 1600, is one of the first to have survived all these years as whole and even exists today.

美国古典文学论文代写:歌剧的发明和背景

Monody is solo singing and was the essence of opera at first. This strives at conveying the emotional burden getting its soul from the text it comes from and has simple chords playing in the background rather than polyphonic parts. Italian composers in the 16th century opted for this style which grew along with the practice of ‘polyphonic madrigals with one singer’ and the other parts having ‘instrumental rendition’, plus, with the rising popularity frottola and the villanella which were the homophonic vocal genres. The latter genre which has been mentioned showed a tendency of a texture which was homophonic in nature, an elaborate melody was present in the top whereas the lower one, which was usually a three part composition had a less active structure. This was, on its way to become a full-fledged monody. All the productions and presentations at this pint attempted to follow or copy Petrarch and his Trecento followers, present more of a humanist poetry, which was an attempt further to restore principles in society which originally existed.