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美国论文代写价格:电影编剧的职业生涯

新的编剧可以选择从广播行业的作家开始他们的职业生涯。这一行业也帮助新人在该行业有一个本质的编剧生涯。广播节目的剧本编写工作相对容易,因为它不涉及任何视觉元素。这被认为是作者的优势,但同时也产生了一些问题。编剧们发现,他们很难通过为电台写剧本的职业生涯在主流行业中成名。大多数人都被脚本中实现的视觉元素所吸引。广播行业没有给出任何这样的范围。因此,经常可以看到,作者并没有得到观众应有的、预期的评价(BBC, 2013)。这给作家们带来了巨大的挑战。
另一个当前的问题是,由于新技术和现代策略使得可视平台比以往任何时候都更好,广播行业在一定程度上正在失去其消费者和受众基础(Myers, 2012)。很大一部分观众已经转向了传媒业的其他媒体。剩下的观众正努力保持忠诚,并对这个行业产生兴趣。这似乎相当困难。
最令人担忧的问题是支付因素。在这个行业里,编剧的报酬很低。由于不需要视觉元素和宣传活动,制片人和当局对广播剧或其他节目的结果期望不高(Street, 2015)。因此,编剧的报酬很低,这并不证明他们的才华或工作质量。虽然很少有编剧能通过为电台写剧本赚大钱,但对大多数编剧来说,这种情况相当棘手。
如果一部电影的预算超过200万英镑,那么编剧就能得到42120英镑的报酬。如果一部故事片的预算超过200万英镑,那么编剧至少能拿到31200英镑。电视行业编剧的报酬也有所不同。BBC为电视剧、连续剧、戏剧、改编剧和教育剧设定了一些标准的付费标准。最低的是改编剧本,编剧每分钟的片酬为78英镑,最高的是电视剧,编剧每分钟片酬为192英镑。ITV还公布了编剧的标准报酬。原创电视剧片酬为每小时13283英镑,连续剧片酬为每小时10395英镑,长篇电视剧片酬为每半小时3465英镑(工业剧本,2013)。这些价格是有利可图的,也吸引了编剧。这些是最低工资标准。有些情况下,编剧为一部非凡的电影写剧本,会得到一笔极其健康的500万英镑报酬。

美国论文代写价格:电影编剧的职业生涯

The new screenwriters can choose to start their career as a writer for the radio industry. This industry also helps the newcomers to have an essence of the screenwriting career in the industry. The screenwriting job for radio programs is relatively easy because it is not related to any visual element. This is considered as an advantage for the writers, but at the same time, it produces some problems. The writers find it very hard to make a name for them in the mainstream industry through the career of screenwriting for radio. Most of the people are attracted by the visual elements implemented in the scripts. Radio industry does not give any such scope. Therefore, it is often observed that the writer does not get the deserving and expected appraisal from the audience (BBC, 2013). It produces a big challenge to the writers.
Another current issue is that the radio industry is losing its consumer and audience base to some extent because new technologies and modern strategies are making the visual platforms better than ever (Myers, 2012). A large portion of the audience has already shifted to other mediums of the media industry. The remaining audiences are trying to be loyal and find interest in this industry. It seems to be quite difficult.
The most concerning issue is the payment factor. The payment for the screenwriters is very low in this industry. As there is no need of visual element and promotional activities, the producers and the authorities do not expect much from the outcome of the radio dramas or other programs (Street, 2015). As a result, the screenwriters are paid a very low amount of money that does not justify their talent or quality of work. Although there are few writers who earn handsomely by screenwriting for the radio, the scenario is quite problematic and troublesome for the majority of the scriptwriters.
If the budget of a film is more than £2M, then the screenwriter is guaranteed a payment of £42,120. If the budget of a feature film is more than £2M, then the screenwriter receives a minimum payment of £31,200. There is a difference in the payment rates for screenwriters in the television industry also. The BBC has set some standard payment rates for teleplays, serials, dramatizations, adaptations and educational dramas. The lowest payment is for the adaptations where the screenwriter is paid £78 for per minute of the screen time, and the highest payment is for the teleplays where the scriptwriter gets a payment of £192 for every single minute of the screen time. The ITV has also released its standard payment rates for the screenwriters. The screenwriter is paid £13,283 for an hour of the original teleplay, £10,395 for an hour of the serials, £3,465 for half an hour of the long-running television series (Industrial Scripts, 2013). These rates are lucrative and it attracts the screenwriters. These are the minimum pay rates. There are instances when a scriptwriter received an extremely healthy payment package of £5M for writing the script of an extraordinary film.