Assignment First

美国欧洲研究论文代写:民间乐器

表格如下。第一乐章是标准的奏鸣曲。奏鸣曲的形式实现了作品的形式主义,但在整个音乐中都有强烈的主题来自亚美尼亚的声音。由于奏鸣曲的形式本身就是即兴创作,所以也有民间色彩。第二个主题从主题转变而来,更多是一种即兴民谣。重复的曲调创造出一种让人联想到大多数Khachaturian音乐的签名手势。这款作品也是Khachaturian商标的一部分。民间主题可能更多是重复的商标,而在这部音乐作品中,这部作品中的许多特征元素来自Khachaturian早期的即兴创作。 Thatcherian作为一个孩子听到的各种音色,音色,东方器乐,节奏ostinato和其他民间乐器即兴演奏,如sazandartar,qyamancha和鼓。

美国欧洲研究论文代写:民间乐器
钢琴协奏曲中的第二乐章更加深情,被标记为“灵魂”,意思是灵魂。钢琴协奏曲的开场部分以更正式的奏鸣曲吸引了众多观众,第二乐章更多的是情感联系。它以民间音乐的变化为标志。亚美尼亚旋律在低音单簧管演奏。这里的音乐受到文化的启发,因为Khachaturian自己注意到他在访问第比利斯时遇到的旋律。他的原创作品被修改了,并且来自他的访问的灵感来自于他的使用。使用多种音乐灵感可以在此处实现独特的编排。例如小提琴的旋律是一个灵魂乐,而打击乐器呈现出更令人毛骨悚然的震动。

美国欧洲研究论文代写:民间乐器

The form is as follows. First movement is a standard sonata. The sonata form achieves the formalism for the work, but there is a strong main theme throughout the music that is inspired from Armenian sonorities. Folk tint is also present as the sonata form in itself has been improvised. The second theme transitions from the main theme and is more of an improvised folk tune. The repetitive tunes create a form of signature gesture reminiscent with most Khachaturian’s music. A semi-droning bass is found in the work which is also part of Khachaturian’s trademarks. The folk theme is perhaps is more oft repeated trademark, and in this music piece, much of the characteristic element in this work was drawn from Khachaturian’s earlier improvisations. Improvisations of variety, timbre, Eastern instrumental music, rhythmic ostinato and other folk instruments that Thatcherian heard as a child such as the sazandartar, qyamancha and drum come into play.

美国欧洲研究论文代写:民间乐器
The second movement in the Piano concerto is more soulful and is marked as being con anima , literally meaning with soul. Where the opening part of the piano concerto appeals to a wide audience with its more formal sonata, the second movement is more of an emotional connection. It is marked by variations in folk music. Armenian melody is played on the bass clarinet. The music here is culturally inspired as Khachaturian himself notes that the melody was encountered by him when he visited Tbilisi. The original composition he had was modified and the melody inspired from his visit came to be used. The use of multiple music inspirations results in a unique orchestration here. The violin melody for instance is a flexatone and the percussion instrument presents a more eerie sounding vibration.