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美国艺术史论文代写:电影观后感

这部电影可以被称为极简主义语言。口语少,更注重演员的行为。这是一个故意尝试将语言的非交流进行人格化。角色不允许通过人们进行接触。演讲被用作回避策略和沟通工具。电影中的对话很少,它有很多象征性的陈述。这可以从神秘或讽刺的尝试中提出。最终,电影关注的是人们通过肤浅的行动建立的孤立。主要的主角感受到一种独特的孤独感,并且观察到天生的无法沟通。主角拥有压倒性的经验。他被迫扮演双重角色。

美国艺术史论文代写:电影观后感
这是一个总是强加于他的侦探的角色,他被告知他不能与他人分享。在许多方面,无法沟通,以及人们为何疏远他人的原因在这一过程中显而易见。与主角接近的人可以感觉到他在远离自己。但是,他无法讨论任何事件。电影结束时主要关注主角在这个过程中感受到的隔离。从脸上发现的痛苦表情中可以看出,这是一个负面的内涵。这些裁员被发现具有小而孤立的身材的人的极端远射。观众得到的信息是每个人都有沉默背后的故事。

美国艺术史论文代写:电影观后感

The movie can be termed to have minimalist languages. There is less spoken and more focus on the actions of the actors. This was a deliberate attempt to personify the non-communication of language. The characters were not allowed to make contact through the people. The speech is used as an evasive strategy and a vehicle of communication. The dialogue in the movie is minimal and it has a lot of symbolic statements. This can be alluded from the cryptic or ironic attempts. Ultimately, the movie focuses on the isolation that the people build from superficial actions. There is a distinctive loneliness that the main protagonist senses and an innate inability to communicate is observed. The protagonist has an overwhelming experience. He is forced to play a dual role.

美国艺术史论文代写:电影观后感
This is the role of being a detective that is invariably forced upon him and he is given a knowledge that he cannot share with others. In many ways, the inability to communicate and the reasons as to why the people distance themselves from others are evident in this process. The people who are close with the main protagonist can feel him distancing himself. However, he is not able to discuss any of the events. The film ends with focus on the isolation that the main characters feel in this process. There is a negative connotation that is evident from the look of anguish that is found on the face. These cuts are found to have extreme long shot of the people with small and isolated figure. The audience is given the message that each person has a story behind their silence.