商务英语论文：代表非洲文化的自然历史博物馆
历史审美偏好给出更多的重要性和教育的努力,这不会有太大帮助。案例研究是一个例子,它证明了画廊空间,配置和观众理解上静止物质方面表示。此外,意识形态的关注美学抢断代表非洲移民所需的文化方面。在自然历史博物馆的,研究人员提出一个身临其境的感觉比IU博物馆体验。有一个地理环境的变化在菲尔德博物馆。这里的每个展品更显著的地方,也不太知名,研究者感到激励他更好地了解非洲文化。
商务英语论文：代表非洲文化的自然历史博物馆
然而,仍有不足,必须纠正。例如,正如作者指出的那样,“展览专注于不为人知的文化在非洲,让人耳目一新,但不幸的效果,使它很难找到,我在非洲。只有非常小的地图主题墙的文本表示的位置设置。因此,每个位置的变化,我发现自己想我跳进了大陆的地方。此外,从市场转移到奴隶贸易非常令人震惊。几乎没有准备我去了解中国的文化和政治力量导致奴隶制直到突然,我在拘留室。这是加剧了这一事实没有更多的主题指南提供背景环境”。
商务英语论文：代表非洲文化的自然历史博物馆
Historical aesthetical preferences were given more importance and in the educational endeavour, this will not help much. The case study was an example of how gallery space, configuration and audience understanding served to repose a materialistic aspect on representations. Add to this, the ideological focus on aesthetics steals the needed cultural aspects for representing the African diaspora. In the field museum of natural history, researchers present an immersive feel which was much better than the IU museum experience. There was a change in the geographic setting in the case of the field museum. Here each of the exhibits were much more dramatically places, and were lesser known as well, which the researcher felt inspired him to know better about African culture.
商务英语论文：代表非洲文化的自然历史博物馆
However, there were inadequacies still that had to be corrected. For instance, as the author noted, “The exhibit focused on lesser-known cultures in Africa, which was refreshing, but had the unfortunate effect of making it difficult to locate where I was in Africa. Only very small maps on the thematic wall text indicated the location of the setting. Thus, with each change in location, I found myself wondering where I had jumped in the continent. Furthermore, the shift from the market to the slave trade was extremely shocking. There was little to no preparation for me to understand the cultural and political forces leading to slavery until suddenly, I was in a holding cell. This was exacerbated by the fact that there were no more thematic guides to contextualize the environment.”
