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英文论文修改:犯罪电影表现出的社会问题

从历史上看,犯罪喜剧片通常被认为是关于犯罪的喜剧,而不是倾向于搞笑的犯罪电影,因为喜剧是一种相对较强的类型,与犯罪电影相比,它是一种得到广泛认可的类型。尽管事实上,如果没有任何循环性,喜剧往往很难被描绘出来。优柔寡断和模棱两可往往是法戈的喜剧的核心,而这也是他的强项。影片开阔的空间以及激发长镜头的效果,往往提供了一个剧场,它不会对任何动作施加任何特定的意义,只会把它减少或消除到无关紧要的程度。这部电影中有很多不同的场景都很突出,让人印象深刻。例如,伐木工人保罗·班扬(Paul Bunyan)欢迎游客来到布雷纳德的雕像已经被展示了三次以上,在光照条件下,它被描绘成具有威胁性、熟悉性和滑稽性,但它们始终保持着怪诞和可憎(亚当斯,2015)。

当然,犯罪电影的惯例往往会在电影中表现出社会问题。在所有这些电影中,有一件重要的事情是利用非法活动作为代表各种重要社会问题的核心。与其他犯罪电影相比,《冰血暴》将社会活动作为犯罪活动的潜台词,侧重于与人物个人问题相关的社会维度。电影中的每个角色都被金钱利益所困扰。然而,导演们确保他们并没有具体地展示金钱与每个角色融合的重要性。与此同时,我们不想太具体,例如,关于杰瑞所欠的债务。这就足以理解,所有的角色都被困住了,因为他们想要参与一项没有得到很好执行的交易。在整部电影中,杰瑞始终如一地表现出他是个失败者,他不停地即兴想出解决方案,想要逃离他发现自己被阻碍的困境。这部电影的核心女性角色——探长玛吉·甘德森(Marge Gunderson)无疑是犯罪电影中最引人注目、最独特的主角之一。她确实代表了人类可以通过电影表现出来的各种好的方面。甘德森善良、耐心、有爱心、有爱心。杰瑞雇用的两个罪犯肖沃尔特和格里姆斯鲁德性格截然不同。肖沃尔特是一个非常直言不讳的暴力角色。相反,格里姆苏德是一个内向的人,但肯定比这两个角色更致命。

英文论文修改:犯罪电影表现出的社会问题

Historically, crime comedies have often been recognized as comedies that happen about crime and not as crime films that tend to be comical as comedy is a relatively stronger and is a broadly recognized genre when compared with crime film. It is despite of the fact that comedy tends to be relatively difficult to portray without any sort of circularity. Irresolution and ambiguity tend to be at the epicentre of Fargo’s comedy and this turns out to be its strongest point. The film’s wide-open spaces as well as it motivating long shots tend to provide a theatre that would impose no specific meaning towards any action other than reducing or eliminating it to insignificance. There are various scenes in the film that standout and make it rather remarkable. For instance, the statue of the logger Paul Bunyan welcoming visitors to Brainerd has been shown more than three times and in lighting conditions that have portrayed it as menacing, familiar and comical but they always remain grotesque and detestable (Adams, 2015).
It is certainly the crime film conventions that tend to articulate social trouble in films. Among all these films, one important thing that stands is the utilization of unlawful activity being the core for representation of various important social concerns. When compared with other crime films where social activities were required to be a subtext that was by criminal activity, Fargo focuses on the social dimensions that are related to the characters personal problems. Each and every character within the film is heavily obsessed with monetary benefits. However, the directors made sure that they do not specifically show the importance of money being integrated with each character. At the same time, we did not want to be too specific, for example, concerning the debt Jerry owes. It is enough to understand that all the character had been trapped as they wanted to get involved in a deal that was not carried out well. It has been consistently showed throughout the film that Jerry is a loser that does not stops improvising solutions and wants to escape from the impasses that he has found himself being blocked by. The film’s core female character, inspector Marge Gunderson, is certainly one of the most compelling and unique lead characters that have ever been portrayed in a crime film. She does represent various good aspects of humans that could be portrayed through film. Gunderson is kind, patient, loving and caring. The two criminals hired by Jerry, Showalter and Grimsrud, are quite contrasting in character. Showalter is a highly outspoken violent character. On the contrary, Grimsud is introvert but is certainly more deadly and lethal of both the characters.