美国硕士论文代写
In addition to the art object and the artistic subject, the spectator also plays an important role on the meaning of western art. Even though for hundreds of years the spectator had nothing to do with the creation and composition of western art, during the 20th century this convection took a drastic turn. As different artists continued to challenge different aspects of art, the spectator was one of the most drastically challenged by such, the spectator would now take place of the subject and the object, he or she would become part of the artwork making the work ephemeral. Allan Kaprow was one of the artists that succeeded at challenging this aspect of art, Kaprow staged eighteen happenings in which the audience were placed in three rooms, lit with colored lights and divided by plastic walls, and the audience were also given different instructions on their movements completing his work. By doing this, Kaprow breaks the conceptual boundary between the public and the object. He places the spectators inside the artwork, something that had never been tried before but extremely effective. The spectator was invited to reflect on the obvious shocking aspects of western art, and the separation between art and daily life. Since the spectator was now part of the artwork, most of these happenings would last a short period of time, giving the 20th century art an ephemeral characteristic, and also giving the spectator the title of the subject since it is he or she that contributes in creating the artwork. Such experimentation by Kaprow would begin to expand the potential of expression that western art possessed and the power of the artistic subject and spectator over the art object. (Onians et al, 1987)
美国硕士论文代写
除了艺术对象和艺术主题，观众也起着重要的作用，在西方艺术的意义。尽管几百年来观众无关的创作与西方艺术的成分，在第二十世纪，这种对流带大幅度转向。不同的艺术家继续挑战艺术的各个方面，观众是最彻底的挑战，观众会现在采取的主体和对象，他或她会成为艺术品的制作工作的一部分。艾伦Kaprow是一个挑战，成功的在这方面的艺术的艺术家，Kaprow上演了十八事件，观众被放置在三个房间，点燃了彩灯和除以塑料墙，和观众们也对他们的动作完成他的工作有不同的指示。通过这样做，Kaprow打破公共和对象之间的概念边界。他把观众里面的艺术品，一些从未尝试过但非常有效。观众被邀请去反思西方艺术的明显的冲击方面，艺术与日常生活之间的分离。由于观众现在是艺术品的一部分，这些事件会持续很短的时间内，给第二十世纪艺术的一个短暂的特征，也给观众的是他或她，有助于艺术品创作的主题标题。这样的实验将开始通过Kaprow扩大，西方艺术具有表达的潜力和艺术的主题和观众对艺术对象的权力。（奥耐因斯等人，1987）
